Daisuke Yokota Session Press, 2015. Soft Cover [8″ x 11″] 160 pages. Edition of 500
The first US monograph by acclaimed Japanese photographer Daisuke Yokota. Highly regarded for his technical and aesthetic kinships with the avant-garde Mono-ha movement of the ‘60s and with Provoke-era masters such as Daido Moriyama and Takuma Nakahira, “Taratine” represents a new direction for Yokota, one that centers his work for the first time in another Japanese tradition, that of the confessional photographic I-novel. Comprised of photographs and a moving essay penned by Yokota, Taratine is his most personal work to date.
“Taratine” brings together two bodies of new work—one from a road trip to Tohoku in 2007, and a second taken in Tokyo in 2014. The Tohoku photographs were inspired by Yokota happening upon an ancient ginkgo tree in the Aomori prefecture. Called taratine, this tree has been worshipped by generations of women for its legendary fertility-enhancing properties. Yokota was reminded both of the Tohoku region’s traditional—and lingering—connection to the awe of natural spirits (the influence of Jomon-period animism) and of memories from his own childhood.